Inside Amos Heller’s Remote Recording Workflow, and a Free Christmas Gift for Musicians

When a producer emails a song and asks for bass, there is no rehearsal room, no band, no second guessing in real time. There is just the track, the clock, and your judgement. In this in-depth session, Amos Heller, long-time touring bassist for Taylor Swift, opens the door to his Nashville home studio and walks through exactly how he approaches a professional remote bass session from the very first listen to the final files sent to the producer.

This is not about flashy chops. It is about decision making, taste, feel, and creating parts that serve the song so well that nobody ever asks for revisions.

Step One: Listen, Then Chart the Song

Before touching a bass, Amos listens deeply and builds a Nashville Number System chart. This gives him an instant map of the song’s structure, key, tempo, and form. Verses, choruses, bridges, and transitions are all laid out visually, allowing him to plan how the bass part will evolve over time.

This is crucial. When a verse and chorus share the same chords, the bass must create contrast through dynamics, register, rhythm, or restraint. The chart is not just notation, it is a strategy document.

The Most Important Bass Decision: When Not to Play

One of the strongest lessons in this session is deceptively simple. The biggest statement a bass player can make is choosing not to play.

Amos regularly stays out of the first half of a verse to let the vocal establish itself. He allows space to create impact later. This approach builds emotional momentum and keeps the arrangement breathing. Less is not just more, it is often essential.

Building Energy Across the Song

Rather than locking into one part and repeating it, Amos treats the bass line as its own narrative.

• Verse one might be sparse and supportive
• Verse two introduces motion and subtle ornamentation
• Choruses often move to big, open whole notes
• Final sections explore register changes, octaves, and tension

Every change is incremental. Nothing feels sudden or distracting. This is how bass supports a song without ever competing with it.

Tone with Purpose, Not Habit

The gear choices here are practical and intentional.

Amos selects a Precision Bass with flatwound strings for warmth and authority, tuned down a whole step for flexibility. His signal chain prioritises clarity and mix readiness, sending two signals to the producer: a clean, lightly compressed DI and a second track with subtle harmonic character.

Compression is used sparingly. It is there to smooth performance and control peaks, not to flatten emotion. A recurring theme is simple and vital: compression is easy to add later, almost impossible to remove.

Multiple Takes, Multiple Personalities

One of the most professional habits on display is the willingness to offer options.

Amos records several complete passes using different approaches:

• Fingerstyle Precision Bass
• Fretless bass for legato movement and colour
• Picked bass with palm muting for punch and rhythm

Each take is a complete musical thought. Producers can blend, edit, or choose freely without needing recalls. This mindset turns a bass player into a collaborator rather than a problem to manage.

Feel Over Flash, Time Over Technique

Perhaps the most valuable takeaway is the emphasis on time feel.

Amos talks openly about learning to hear whether he is ahead of or behind the beat, and how brutally honest playback can be. Recording yourself and listening back is one of the fastest ways to improve as a musician.

Producers rarely want complexity. They want consistency, confidence, and feel. A bassist with great time will work more than one with endless chops.

A Free Christmas Gift: Learn This Entire Approach

To celebrate Christmas, this complete philosophy and workflow is available as a free course.

 The Happy Christmas Amos Heller Free Course
Learn how elite session bass parts are created, how to think like a producer, and how to deliver tracks that drop straight into a mix with zero friction.

This is perfect for:

• Bass players wanting more session work
• Producers recording remotely
• Musicians building professional home studios
• Anyone who wants their parts to truly serve the song

No hype. No shortcuts. Just real-world methods from someone who does this at the highest level.

Give it as a gift, or take it yourself this Christmas.

Have a marvellous time recording and mixing.